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Cyberpunk 2077 feature

Cyberpunk 2077


When you read this post, you probably already know: the Cyberpunk 2077 hype did not pay off. However, I would like to explore some personal insights.

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Me-Character and My Character

As a Role Playing Game, you are someone else. A player might spend one full hour just tweaking the characters’ appearances, hair, weight, and eyelashes. Then calmly considering spending the scarce points on each attribute. One is not creating himself/herself, but a different being. Maybe a projection or simply experimenting with unique approaches.

Then the game starts.

You barely see yourself on the screen.

Shooters are much easier to do in first-person. CDPR said they opted for the first-person approach as part of the vision that the player should feel he is indeed there. They even removed some features of the game because it was not working well in the first-person.

But as I said before, since one spent so much love creating the character, it would be a wiser decision if one would see it more often. A third person would be a better decision. It was more valuable to see the custom V fighting than was seeing Geralt’s.

The result is that I have never really connected to the character that I created.

Also, there is a second take on character creation that is unique to Cyberpunk 2077 universe: augmentations and down-the-line customizations. A game advertised as being open regarding your physical appearance, it was noted by many the lack of visual modification during the game. Not even changing the hairstyle, present in a much less relevant The Witcher 3, was absent.

Clothing functions as both technical improvements and fashion. The game could embrace the idea each piece of clothing could have any game element or bonus. It would encourage players to find their style instead keep mixing weird styles just to get specific bonuses.

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Bugs and Cars

The game was plagued by technical issues. There are hundreds of videos on YouTube with hilarious situations. CDPR had to reimburse many players, and it was removed by the PlayStation Store days after the release, due to the impossible state!

I had no crashes but a ton of buggy behaviors. Citizens’ reactions, random explosions, and enemies’ misbehavior. In some critical emotional moments, a bug can spoil the fun. I finished the game trying to do ALL the achievements. But one was impossible to achieve due to a bug in a side mission.

Then cars… The Witcher’s horse, Roach, was a delicious surprise and set the benchmark to address rideable in video games. Just before launch, Geoff Keighley (one of the few people that tasted it at the time) said driving was super satisfying. The cars felt so bad. Driving was a burden. Felt like balloons, weightless. Bikes are even worse.

I was hoping to drive like a vagabond, exploring each inch of the city. But instead, I was using teleportation all the time.

The pace that the fixes were coming was also much desirable. I finished the game in 3 months, but some patches were released back then. CDPR always had a top-in-industry attitude regarding enhancing their games after release, but this time I believe they are subpar.

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At the very beginning, you have to choose the background story. There are 3 possible starting conditions. And the first act considers this choice important, pointing to it frequently.

Then it becomes irrelevant. The mid-game is a generic Ubisoft open-world game or GTA. V is on a brink of death, but the game’s open-world nature let her have romantic relationships, racing, and help other people that, frankly, could wait until you solve your most significant issue.

While not very original “there is a dude inside your head”, their take is unique and grounded. However, CDPR opted to use other very boring tropes like “He was supposed to die, but he miraculously survived”. No need to put a bullet in V’s head to wake her up in the next scene.

The mid-game is an “ensemble a killer team” theme. It was nice but the team and the final mission are less like Ocean’s Eleven and more like The Avengers: group a team of 3 guys and storm into the castle. A good point is the insertion of several recurring characters in side missions. From love affairs to super AI or ex-cops, the player starts to care about them after some time.

The final orchestrated act was also lacking due to a single biggest factor, IMHO: there are no good villains. A good villain has to be seen, tasted, and feared often. If you show Adam Smasher only once, 50 hours late you could not care less about him. The other Arasaka family members are the same.

Think about the great movie and video game villains. They have a considerable amount of screen time, so the viewer has the chance to witness his evil intentions. Darth Vader, Joker, Glados, LeChuck, Ganon, Bowser.

A very good aspect of the story is the cultural references and jokes. More than once, I was caught laughing out loud with some of them.

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As one of the first games I have ever pre-ordered, I must say that knew what was coming. If I waited for some reviews first…

Cyberpunk 2077 is an ambitious project and several parts of it show it. However, despite the strong beginning, it becomes a generic open-world game with amazing graphics.

I finished the game and most of the achievements. 100+ hours on it. Yet, I feel disappointed. I even may get back to it in a couple of months or years, with extra content and numerous enhancements.

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